I was making documentary as a co-director together
with two German filmmakers from Cologne’s International Film School (ifs) in
Russian Far East during November 2014.
Here a treatment that was written by Christian
Zipfel (director of this film) before we go to Magadan and start shooting
process:
“We intend to travel
to Magadan, Siberia, to find Gulag survivors to tell me their stories. The
Gulag was the Russian system of repression with the objective of oppressing
political opponents. Built under Lenin’s authority, the system was perfected by
Stalin. Freethinkers, critics, believers and arbitrarily accused individuals
were exiled into labor camps. I will accompany the survivors and monitor their
everyday life, at work, in church, at home and during errands to portrait the
life in the city.
Also, I will address
the work being performed by people without Gulag History. The filming of
current work at harbors and mines is aimed at creating an emotional link to the
narrated experiences of prisoners of the historical labor camps. I intend to
classify the city geographically by photographing outskirts the Kolyma. I will approach
the city from the outside by first filming nature, then advancing to the city
and its residents. The cold, the frost in nature and the city will be put in
visual contrast to the small, warm and individually arranged domiciles in which
we will visit the survivors.
The camera will switch between wide long shots outdoors and close-up-portraits of the protagonists. I will film wide snow deserts as well as the wrecks of icy tanks and planes rusting out in the city. I will address the harbor and the sea. I also intend to accompany children living in the city, who are not directly connected to the Stalinist system of repression. I am interested to learn how much they know about the past and to learn their views on the life in the city. I am sure to find a lot vitality today. I want to make sure to portrait both sides of the life in this city. The historical labor camps and the people living their life in the present.”
Who we are:
The camera will switch between wide long shots outdoors and close-up-portraits of the protagonists. I will film wide snow deserts as well as the wrecks of icy tanks and planes rusting out in the city. I will address the harbor and the sea. I also intend to accompany children living in the city, who are not directly connected to the Stalinist system of repression. I am interested to learn how much they know about the past and to learn their views on the life in the city. I am sure to find a lot vitality today. I want to make sure to portrait both sides of the life in this city. The historical labor camps and the people living their life in the present.”
Who we are:
Raised in Sprockhövel, Germany. Several internships in the flm, television and
theatre sector after his university-entrance diploma. Studies of direction at
ifs, international film school cologne since 2012. Got to the flm industry via
photography and painting. His artistic emphasis is aimed at understanding and
passing on the story behind a work of art.
2012 / „Das Waisenkind“ / Short documentary
2013 / „Eurydike“ / Shortflm
2014 / „Light Game“ / Experimental flm
2014 / „Haut“ / Art-house flm
Raised close to the Black Sea. Studies of
documentary direction at „All Russian State University of Cinematography“ in Moscow.
Worked at productions of television documentaries and UNICEF projects. The main theme of his documental work is human
interaction in a natural environment.
2009 / „Moscow Romance“ / Short
documentary
2012 / „Gender“ / Short documentary
2012 / „Mirror World“ / Short film
2013 / „Another Island“ / Short documentary
2013 / „Shadow“ / Short film
Raised in Cologne, Germany. After anabbreviated training in industrial mechanics and one year of working at Ford AG, Björn
decided to restart, based on his interest in film and photography. He completed
several internships at production companies, distributors of film equipment and
film sets. During his training at Ford, he developed a passion for street and
band photography, which led him to documental and scenic filming. Studies of camera work at ifs internationale
Filmschule Köln since 2012.
2013 / „Was ich will“ / Shortflm
2014 / „Hinter dem Vorhang“ / Shortflm
2014 / „ARK“ / Genre Shortflm
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